Hey Harlem, it's time to learn about Glass-Steagall Act, and about
discovery in general, especially in the economy.
And no, I don't mean the discovery channel.
You know, the whole experience of science, is the process of
discovery! The experience of discovery! And doing everything to
keep access, your access to the process of discovery, not to cut
yourself off, from the imagination in the process of discovery.
You're always changing yourself, if you're any good. You're
always finding out new things, which supersede the way you
thought yesterday. You know, working within society, with the
thing, you go out, and people say, "Hey, you know, we were
wrong. This didn't work, and here's why." Or, "This didn't
work. Let's figure out why." That's society, that's progress!
The idea of deduction! Rigid, corpse-like deduction, like
the undertaker laying out the corpse for the display! Which is
the way most people perform art, and design it. "When you're
dead, I'll be able to arrange you prettily," says the undertaker.
You've got to find the beauty {in} the process of life, not
in the work of the expert, who lays out the corpse, of what you
did or didn't do with life. And therefore, you have to block, get
all this crap, all this obstructionist crap and so forth, out of
our system, by these methods: The Classical artistic composition
methods. Because Classical artistic composition {is the highest
form of science,} because it deals with the imagination, {which
is the place where science lives!} It's the only address where
science lives.
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